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Grading with criteria
~ min read
📋30-second summary
The AI grades as an assistant, not a judge. Three principles: you write the rubric, the decision is yours, anonymize the work before uploading.
Five-step workflow: explicit rubric, a first AI pass on 3-5 papers, the teacher’s check on the same, extension if it holds, feedback written by you.
Where you and the AI disagree, the teacher is right. But the why of the AI’s error tells you whether the rubric is ambiguous.
Anti-cheating: signs of suspected AI in a paper are clues, not proof. What to do about them is in a dedicated lesson later.
No names in the chat, no AI grade in the register without rereading it.
The AI is a good grading assistant and a poor judge. The
difference isn’t subtle, and before you open the chat it’s worth
setting three principles that don’t bend.
First: the rubric comes before the AI, and you write it. The AI can
help you put it into shape and flesh out the descriptors that come
out thin, but the assessment criteria are a teaching choice of
yours, not an output to generate. Second: the final decision is
yours. The AI proposes, you decide, and the grade in the register
you put there. Third: the work gets anonymized before uploading.
The student’s name isn’t needed for the AI to apply a rubric, and a
minor’s data doesn’t get poured into a consumer chat.
With the three principles set, assisted grading is a five-step
loop.
1. Write the explicit rubric. Criteria (for an essay:
comprehension of the text, argumentation, vocabulary, form), levels
(from severely insufficient to excellent), and for each cell a
descriptor that says what separates one level from the next. It’s
the step that decides everything: a vague rubric produces vague
grading, human or AI. The AI here helps standardize the descriptors
and fill the cells that come out halting, starting from your
criteria.
2. The AI’s first pass on a sample. Take 3-5 anonymized papers,
upload them with the rubric, and ask the AI to apply it explicitly:
for each paper, for each criterion, the level assigned plus a
one-line justification. The line of justification is the part that
counts: without it, you have a grade you can’t check.
3. Spot-check. Grade the same 3-5 papers yourself,
independently. Then compare. Where you and the AI diverge the rule
is simple, the teacher is right. But stop to understand why the
AI got it wrong: often it isn’t the AI that fails to understand,
it’s the rubric that’s ambiguous on that criterion. There you
rewrite it, and your own grading improves too.
4. Extension to the rest of the class. If you and the AI agree
on the sample, have the rubric applied to the whole set. On a class
of 25-30 papers it’s worth uploading them in batches, five or six
at a time: a chat that’s too loaded loses the thread and applies
the rubric less consistently toward the end. At that point your job
isn’t to regrade everything from scratch, it’s to scan the
assessments, catch the obvious gaps, and pull two or three papers
at random from the pile to check the rubric still holds far from
the initial sample. Then you sign. If you didn’t agree on the
sample, don’t extend: go back to step 1 and fix the rubric.
5. Individual feedback. The comment that reaches the student
you write, with the rubric as a skeleton. The AI can propose a
draft of feedback per criterion, but the comment must be reread
cold and re-signed by hand: it’s the part of the assessment the
student actually reads, and it has to carry your voice and what you
know about them.
English literature, final year of high school, a close reading of
Keats’s sonnet When I have fears that I may cease to be. A
four-criterion rubric, applied to an anonymized paper.
👤
You
Apply this rubric to the paper below (close reading, final year of high school, Keats's sonnet "When I have fears that I may cease to be"). For each criterion: level (insufficient / sufficient / good / excellent) and a one-line justification. Rubric: Comprehension, Formal analysis, Contextualization, Vocabulary.
Paper: "In the sonnet the poet fears dying before his pen has gathered all his thoughts. Love and fame appear as things he may never fully grasp. The image of the night sky and the 'huge cloudy symbols' points to the vastness of what he might lose. His melancholy, like the rest of his work influenced by Tennyson, comes from a Romantic sense of mortality."Apply this rubric to the paper below (close reading, final year of high school, Keats's sonnet "When I have fears that I may cease to be"). For each criterion: level (insufficient / sufficient / good / excellent) and a one-line justification. Rubric: Comprehension, Formal analysis, Contextualization, Vocabulary.
Paper: "In the sonnet the poet fears dying before his pen has gathered all his thoughts. Love and fame appear as things he may never fully grasp. The image of the night sky and the 'huge cloudy symbols' points to the vastness of what he might lose. His melancholy, like the rest of his work influenced by Tennyson, comes from a Romantic sense of mortality."
🤖
AI
Comprehension: good. Grasps the core: the fear of dying young, unfulfilled love and fame, the vastness of what is lost.
Formal analysis: sufficient. Identifies the themes but doesn't touch the form: nothing on the sonnet structure, the volta, the enjambment, the build-up of "when... when... when".
Contextualization: good. Places the poem in a Romantic sense of mortality.
Vocabulary: sufficient. Correct but generic ("melancholy", "vastness"), little specific critical vocabulary.
Overall: a fair piece, stronger on comprehension than on formal analysis, which is the criterion to push.Comprehension: good. Grasps the core: the fear of dying young, unfulfilled love and fame, the vastness of what is lost.
Formal analysis: sufficient. Identifies the themes but doesn't touch the form: nothing on the sonnet structure, the volta, the enjambment, the build-up of "when... when... when".
Contextualization: good. Places the poem in a Romantic sense of mortality.
Vocabulary: sufficient. Correct but generic ("melancholy", "vastness"), little specific critical vocabulary.
Overall: a fair piece, stronger on comprehension than on formal analysis, which is the criterion to push.
The AI gave good on contextualization. You reread and give
sufficient: the student writes that Keats is “influenced by
Tennyson”, a clear chronological error, since Tennyson is later
(Victorian, while Keats is Romantic). The AI missed it, and not out
of carelessness: the rubric asked to “place the text in context”,
not to “place it without factual errors”. The criterion was
ambiguous. You rewrite it, adding to the contextualization
descriptor the line “penalize chronological and attribution
errors”. Now, across the whole class, the AI will flag the same
kind of error instead of letting it pass. The disagreement on the
sample isn’t a nuisance: it’s how the rubric becomes more
discriminating.
Don’t upload students’ real names. It’s the rule that comes
before the others: a minor’s data doesn’t get poured into a
consumer chat for convenience.
Don’t use the AI as a co-grader on equal footing. The AI
without the teacher’s verification pass on the sample isn’t a
colleague who grades, it’s a generator of plausible grades. Step 3
isn’t optional: it’s what separates assisted grading from
delegating the judgment.
Don’t transcribe the AI’s grade into the register without
rereading it. The grade you sign is yours, with your
responsibility to the student and the family. A number you haven’t
checked doesn’t stop being yours just because a machine proposed
it.
You’ve designed the lessons, differentiated the materials, built
the tests, and graded with criteria. There’s one part of a
teacher’s work, as delicate as grading, that the AI can lighten:
communicating with families. The next lesson is about writing those
emails without making them sound cold and without missing the
register.