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Theme
Language
App
Inclusive materials (SEN)
~ min read
📋30-second summary
Inclusion isn’t differentiating by level. A student with a specific learning difficulty can be one of your best: they need accessibility, not an easier sheet.
Three axes: graphic accessibility (font, line spacing, short lines), visual synthesis (maps, diagrams), syntactic simplification that does NOT cut the key terms.
AI speeds up adapting the materials, but the SEN coordinator or learning-support teacher always validates: they know the student, the support plan, the agreements with the family.
Privacy of minors: no name, no diagnosis, no family details in the chat. You talk about “a student with dyslexia”, not “Marco in year 9, class B”.
Never ask the AI to “assess the severity” of a difficulty: it isn’t a diagnostic tool, and don’t override the plan that already exists.
Differentiating by level and including are two different things,
and confusing them does harm.
The previous lesson
was about levels: same topic, different difficulty. Inclusion is a
different axis. A student with a specific learning difficulty can
be among the brightest in the class: they don’t need an easier
version, they need to be able to read without the page scrambling
in front of them. The need is accessibility, not a discount on the
content.
Two terms recur in this lesson. SEN (special educational
needs) is the broad umbrella: it covers specific learning
difficulties (dyslexia, dysgraphia, dyscalculia) but also
language, social, or temporary disadvantages. Each student with
needs has a written support plan: an IEP, a 504 plan, or whatever
your system calls it. Those documents already say what the student
needs. The AI works within those constraints, it doesn’t rewrite
them.
Adapting a material for accessibility moves along three axes.
Often you combine two or three on the same sheet.
The shape of the page. For a student with dyslexia, how the
text is laid out matters as much as what it says. High-legibility
fonts (Atkinson Hyperlegible, Easy Reading, OpenDyslexic), wide
line spacing, generous spacing between words, short lines, text
aligned left and never justified: justification opens “rivers” of
white space that make you lose your line. You set the font and the
spacing yourself in your word processor, not the AI in the chat.
What the AI does is rewrite the text so it fits this format
without getting poorer: it splits long sentences, breaks lines
where it makes sense, drops the asides that stretch the line.
From paragraph to diagram. For dyslexia, ADHD, and several
attention difficulties a concept map or a block diagram is often
more readable than ten lines of linear prose. The AI is good at
proposing the structure: you give it the chapter’s themes and
their relationships, and it gives you back the skeleton of a
diagram, usually as an indented list or ASCII, not as a finished
image. You validate it and draw it as a real map, or have the
student draw it, which is an exercise in itself. The AI proposes
the skeleton, not the last word: a wrong map confuses more than a
paragraph does, and an AI-generated image often comes out with the
labels in the wrong spots.
Shorter sentences, same terms. This is the axis where the AI
goes wrong most often, and it goes wrong in the direction that
looks kind. You ask it for a “simpler” version and, to simplify,
it throws out the technical terms: “sonnet” becomes “poem”,
“enjambment” disappears. But the student has to know those terms
at the assessment, the same as their classmates. The right
simplification touches the syntax (short sentences, fewer
subordinate clauses, direct subject-verb-object order) and keeps
the key vocabulary, glossing it if anything: “the sonnet (a
14-line poem)”. The constraint to put in the prompt is explicit:
“shorter sentences, but keep all the technical terms and explain
them in parentheses the first time”.
English literature, year 2 of high school, a textbook paragraph on
Shakespeare’s Sonnets. There’s a student with dyslexia in the
class. The teacher pastes the standard paragraph and asks for the
accessible version.
👤
You
Adapt this textbook paragraph for a student with dyslexia, year 2 of high school. Shorter sentences, direct order, keep the technical terms and gloss them in parentheses on first use. Add a theme map at the end. Don't cut content.
"Shakespeare's Sonnets, a sequence of 154 poems wrought over an uncertain span and circulated in manuscript before their 1609 printing, trace an intricate emotional triangle among the poet, a fair youth urged toward procreation and poetic immortality, and a dark lady of vexed and sensual attachment."Adapt this textbook paragraph for a student with dyslexia, year 2 of high school. Shorter sentences, direct order, keep the technical terms and gloss them in parentheses on first use. Add a theme map at the end. Don't cut content.
"Shakespeare's Sonnets, a sequence of 154 poems wrought over an uncertain span and circulated in manuscript before their 1609 printing, trace an intricate emotional triangle among the poet, a fair youth urged toward procreation and poetic immortality, and a dark lady of vexed and sensual attachment."
🤖
AI
Accessible version
Shakespeare's Sonnets are a set of 154 poems (a sonnet is a 14-line poem). They were shared in handwritten copies first, then printed in 1609.
The poems are about three people: the poet, a young man (the "fair youth"), and a woman (the "dark lady"). The poet urges the young man to have children and to live on through poetry. The dark lady stands for a difficult, sensual kind of love.
Theme map
- Work: the Sonnets -> 154 poems, printed in 1609
- Fair youth -> urged toward children and poetic immortality
- Dark lady -> difficult, sensual attachmentAccessible version
Shakespeare's Sonnets are a set of 154 poems (a sonnet is a 14-line poem). They were shared in handwritten copies first, then printed in 1609.
The poems are about three people: the poet, a young man (the "fair youth"), and a woman (the "dark lady"). The poet urges the young man to have children and to live on through poetry. The dark lady stands for a difficult, sensual kind of love.
Theme map
- Work: the Sonnets -> 154 poems, printed in 1609
- Fair youth -> urged toward children and poetic immortality
- Dark lady -> difficult, sensual attachment
The content is all there. The single textbook sentence, four lines
long and full of subordinate clauses, has become a handful of
short sentences in direct order. The terms stayed (sonnet, fair
youth, dark lady) with a gloss in parentheses on first use. The
theme map gives the student the visual skeleton to hang the
details on. What didn’t change: the number of poems, the 1609
date, the three figures. Those are the facts the assessment will
ask the whole class.
On a literary text, though, simplifying can flatten a nuance:
“wrought” isn’t quite “made”, “vexed and sensual attachment” says
more than “a difficult kind of love”. Reread the accessible
version against the original and, where the nuance matters for your
subject, put it back by hand with a gloss rather than letting it
drop.
Before you use this version, it also has to go to whoever supports
the student. The chat gave you a quick draft, not a validated
material.
Don’t ask the AI to “assess the severity” of the difficulty. It
isn’t a diagnostic tool and it hasn’t seen the student. Questions
like “how severe is this dyslexia” or “what level of support is
needed” get invented answers that sound competent. Diagnosis and
the plan are made by specialists, and they’re already written in
the support plan.
Don’t override the plan that already exists. If the plan says
“maps yes, audio material no” and you have the AI generate an audio
version because it seems like a good idea, you’re contradicting
strategies decided with the family and the specialists. The AI
adapts within the plan’s constraints, not in place of the plan.
Don’t put labels on the material. The sheet the student
receives isn’t called “the SEN version” and doesn’t carry a
different badge. It has to be accessible without being marked. The
same logic as the neutral labels in the lesson on levels applies:
adapting is there to include, not to flag. Often an accessible
version (short sentences, a diagram, glosses) is clearer for
everyone, and nothing stops you from giving it to the whole class:
if everyone gets it, it flags no one.
You’ve designed the lessons, differentiated by level, made the
materials accessible. The next step in the teaching cycle is
assessing what students have learned. The next lesson takes on how
AI helps you build assessment questions, without their turning
trivial or ambiguous.